Greater Patchogue coverage is funded in part by New Village at Patchogue, open-concept rental residences with sleek contemporary design. Click here for a tour.
Brian Gabriel wasn’t looking to formĀ a band. He just wanted to make an album.
And so he did. Playing all the instruments and doing all the vocals ā with a few exceptions ā the life-long musician put together a 10-track album he recorded over the course of a year at Suffolk Recording Studios, which he manages in Patchogue Village.
Calling the āgroup,ā AāMericana and the album Salvation Unkind, Gabriel released the recordĀ on Tuesday, Oct. 17.
The responses were overwhelmingly positive, he said.
From one friend in particular.
āA music comrade of mine, Doug OāDell, whoās now playing bass, was saying, ‘You have to put a band together; people need to hear this live,’ā heĀ said.
Gabriel still wasnāt sold on the idea.Ā āIt just wasnāt the scope of what I had envisioned for the project,ā he said.
But nature found a way.
Fast-forward a bit, theĀ five-member AāMericana started rehearsing in March.
The first time they ever played in front of a liveĀ audience was on a Wednesday night, May 18,Ā at Bobbique on West Main Street in Patchogue Village.
This wasnāt an ordinary night, though.Ā ItĀ was the first round of the first-ever Rock the Patch battle of the bands to see which one of 16 acts would punch a ticket to play at Alive After Five, which has become one of the more coveted gigs among Long Island musicians.
AāMericana won that night at Bobbique, proving to be the best of four bands in the eyes of three judges.
That meant they would be playing the following week for the contest’s finals at 89 North Music Venue in Patchogue. This would be the groupās second time performing live.
A’MericanaĀ won again.
One of the judges, Christopher Capobianco, who runs the Live in the Lobby original music series at Patchogue Theatre, said AāMericana quickly emerged as a clear winner as the scoring numbers were beingĀ tallied.
āThey came out with a totally professional set, and it was a notch above the rest,”Ā he said.Ā
story continues below photo
ringers
Letting Gabriel and his team compete in Rock the Patch wasnāt exactly like inviting Kevin McCale of the Boston Celtics to play in the Cheers Vs. Garyās Old Towne Tavern charity game, but this was not the band members’ first rodeo ā even if A’Merica had just formed.
A professional musician whoās been on some big bills and opened for names likeĀ Cheap Trick with several different acts over the years, Gabriel was signed to a major label with a band he played drums for while living in North Jersey in the mid-1990s.
That group, a rock pop group called The Cheese, released an album in 1996 through MCA/Curb Records and toured for a year with big names at the time, like Wilco and Gov’t Mule.
But the experience of spending long, exhausting hours in the studio ā and, best of all, the end result of a CD wrapped in cellophane and everything contained therein ā left a lasting impression on Gabriel.
It was a treasured time in his lifeĀ that fueled his desire to do it all over again, even if he was playing by himself this time around.
āThe concept of the album was to put together music youĀ could listen to in one sitting, like the way people used to do,ā said Gabriel, whoās 47. āYou would listen from Song 1 and then flip sides and listen to the whole rest of the record.”
āI wrote 10 songs with this record, and Iām multi-faceted with all instruments so I did the recording myself,” he continued. “It was all born out of a concept. More or less, this whole album amounts to my timeline on earth. So it was a very cathartic experience for me.”
At OāDellās urging, Gabriel started to put the band’s pieces together, recruiting friends and contacts for the assemblage of AāMericana, the actual band.
All the members are professional musicians with decadesĀ in the music industry between them:
Brian Gabriel – guitar/vocals
Doug O’Dell – bass/vocals
Sean McGrath – guitar
Anthony Pravata – guitar
Jim Mansfield – drums
The newly formed band only rehearsed a handful of times before the first Rock the Patch night at Bobbique.
āWe put the band together, and kind of from that first rehearsal, it sounded really good,ā he said. āWeāre all working musicians to we rehearsed maybe a handful of times, on and off.
“Then the contest came up.ā
the contest
By far the most frequent request the Alive After Five organizers get comes from bands looking to play on the street during theĀ summer’s four festivals.
The Greater Patchogue Chamber of Commerce’s executive director, David Kennedy, has a form letter he uses to respond to such requests. The letter explains that the musical acts are booked through the restaurants, which share the separate stages along Main Street.
But a lot of the bands that do perform at Alive After Five are the same every year.
āI love the bands that come to Alive After Five,ā Kennedy said this winter, before the contest got underway, ābut the restaurants do seem to be very loyal to the bands which they have relationships with, so you see many of the same come back. Since this is such a demand, I would like to see a few others get the opportunity.ā
āMost importantly,ā he had added, āI want these bands that are contacting us to feel like theyāre getting a fair shot.ā
āIāve been around Alive After Five since it started,ā Capobianco said. āI was very happy that they came up with this way of getting some new bands involved, because it has started to feel like a closed shop, so to speak.Ā I hope they keep it going and that itās used as another opportunity for local bands to showcase original music.ā
AāMericana will play July 7 at the seasonās first of four Alive After Five events in Patchogue Village:Ā The Blue Point Stage next to the Bargain Bilge.
his music
Gabriel named the group AāMericana because the sound incorporates so many aspects of the country’s music landscape: rock, funk, blue grass, roots music, and more.
The soundās tasting notes include hints of classic acts as varied as the Grateful Dead, Led Zeppelin and Creedence Clearwater Revival, to 1990s alternative rock bands like the Lemonheads, Alice in Chains, maybe even Spacehog.
All that sensory overload for music fansĀ is what makes the albumĀ so downright special.
(These are our own very subjective observations, not Gabrielās words.)
āI had the tenacity to name the group after a whole genre,ā Gabriel said. āBecause this is just a big amalgamation of everything thatās been shoved down my cranium, starting as a little kid and hearing The Beatles, Stones, Little Richard, Chuck Berry, The Byrds, Bob Dylan ā¦
āItās a reflection of everything in this big fācking melting pot we call a country.ā
Of course what’sĀ different about the actual bandĀ that won Rock the Patch ā as opposed to the studio album ā is that it’s five different people playing those instruments, not just one.
“Each guy is going to addĀ his element of human-ness,” Gabriel said. “So it’s got that aspect to it. I give a little rope, but these guys are so good, a good musician can mimic but still put his soul into it and own it. Even though it sounds like me, itās him playing.Ā The way a guy bends a note or slides into a cord, is going to be different than the way Iām doing it. But because they bought into my concept, itās like they do have ownership. Thatās what makesĀ the band sound so good.”
“Music is truth and truth is found in music,” he said. “Especially when it’s being delivered by the guy who writes it.Ā
“This isĀ my truth. Itās the most honest I can be.”
Touching again on the 1990s nostalgia, Gabriel is especially excited his album comes in the form of a CDĀ wrapped tightly in cellophane.Ā
And that cellophane is as hard to scratch open as you remember.
click here to download the album
Top: Brain Gabriel at Suffolk Recording Studios, where he cut Salvation Unkind. (Michael White)